Leitmotif Was A Musical Concept Film Studies Essay

leitmotif Was A tuneful Concept Film Studies Essay amorous medicinal drug is a termination describing a style of undefiled music that began in the late eighteenth degree centigrade or early 19th century. Ro compositiontic music as a movement came from the formats, genres and musical theater comedy ideas created in the earlier period, such as the classical period. Although it went further in the name of expression and merging of antithetic art forms with music. romanticism does not always refer to romantic love, although that fundament was prevalent in mevery a(prenominal) works composed during this time. Romanticism pieces are understood to be more passionate and expressive.1 The expansion of form indoors a typical composition, and the growing quirkiness and expressiveness of new composes from the new century it became easier to identify an artist based on his work or style.Romantic music attempted to increase emotional expression and power to follow deeper truths or hu man feelings, whilst still trying to preserve the formal structures from the classical period. leitmotifA leitmotif is a musical term that mover a abruptly and constantly come about musical phrase. It is associated with a specific person, place or idea.2The term itself comes from the German word Leitmotiv, meaning star(p) motif or guiding motif. A motif is a short musical idea melodic, harmonic, or rhythmic and a significant recurring figure that has some special importance for the characteristics of a composition. Although it is usu aloney a short melody, it can be a chord shape upion or even a simple rhythm. Leitmotifs can help bind a work together into a whole, and enable the composer to relate a report card without the white plague of words.The power of the technique was employ early in the nineteenth century by composers of the Romantic Period.1 Recurring shanks or ideas were sometimes utilise in association with specific characters.Romantic music employ Leitmotif to help narrate, people were aware of the musical code and the associations with characters and situations which allowed directors to define and recognise plot ideas through sound. 2Example of composers/famous pieces who use of goods and servicesd LeitmotifRichard Wagner is the earliest composer that can be associated with the concept of Leitmotif. His cycle of quatern operas, entitle Der Ring des Nibelungen, uses dozens of Leitmotifs, often related to specific characters, things, or situations.3Wagner raised the issue of how music could unite polar elements of the plot of a music drama in his Opera the Leitmotif technique corresponds to this ideal. Wagner employ Leitmotifs for their role in musical form and emotional effect.Richard Georg Strauss, natural on the 11th of June 1864 and died on the 8th of September 1949 was a leading German composer of the late Romantic and early modern eras. Strauss used Leitmotifs in many of his operas and several of his symphonic poems to cr eate mood and emotion in his music. Arnold Schoenberg, who was born on the 13th September 1874 and passed away on the 13th of July 1951 was an Austrian composer and painter, associated with the expressionist movement in German poetry and art. He used a complex set of Leitmotifs in his choral work, Gurre-Lieder which was completed 1911. advance(a) composer magic trick Williams was influenced by music of the Romantic Period and made use of Leitmotif in his movie house totalsJohn WilliamsJohn towner Williams was born in Long Island, USA, on the 8th of February 1932 into a musical family.4In 1948, Williams family relocated to LA, where he studied music at the University of California. next his national service in the air force John Williams went to the Julliard educate in New York, where he studied piano. He too worked as a jazz pianist in clubs and on recordings.In 1956, John Williams was hired by Twentieth Century Fox as a pianist in their studio orchestra, and he was also soon paternity the music for some TV shows including Lost in Space, Wagon adopt and Land of the Giants.4 At the studio Williams worked with great movie composers like Bernard Herrmann and Alfred Newman. In 1967, John Williams made the A list of movie composers when he wrote the Oscar-nominated score for The Valley of the Dolls.John Williams has scored near 90 films and has been Oscar nominated over cardinal times. John Williams guinea pigs for Star Wars, indium Jones, Superman, and ET have great appeal for the oecumenic public and his movie score albums are top sellers. Williams has also compose compositions for the Olympic ceremonies which capture the true spirit of the game. John Williams was the conductor and musical director of the famous Boston Pops Orchestra, where he is still a invitee conductor. As well as movie scores, John Williams has written contrive pieces for such greats as Yo-Yo Ma and has conducted concerts all over the world. On declination the 5th 2004 John Wi lliams was one of the 2004 honourees at the Kennedy centre in Washington, D.C.The use of LeitmotifIn John Williams films he uses a lot of music related to Wagner, such as diatonic carapaces for hero themes, chromatic scales for objects or negative elements, bright sounds for positive elements.5John Williams has become of the or so lucky scoring composers and one of the closely respected. His approach is very direct and strong, and no one in the theatre will fail to recognize any link between the themes and the characters associated with them. He has a great capacity to chance on the audience like a classical composer.Jaws Jaws is an American horror and thriller film directed by Steven Spielberg in 1975. In the story, a giant man eating great white shark attacks beachgoers on Amity Island, proposition the local police chief to hunt it down.6The main shark theme, is a simple alternating pattern of cardinal notes, variously identified as E and F or F and F sharp which became a classic piece of suspense music, synonymous with approaching danger. John Williams uses Leitmotif in this film for the shark. Each time the shark is going to search the same pattern is played that can be recognized by the audience.Indiana Jones Dr. Henry Indiana Jones, Jr. is a fictional professor, archaeologist, and adventurer. Indiana Jones is noted for his trademark bullwhip, his fedora hat, and his great fear of snakes.7Indiana Jones is also the general name given to the series as a whole, which has four movies, a TV series, novels, comics, video games, and other media. In this movie Williams used Leitmotif for the character Indiana Jones. For this Williams used a diatonic scale for a hero-theme whenever Indiana was about to do something heroic and at the balance of the film.Star WarsThe music of Star Wars consists of the scores written for all vi Star Wars films by composer John Williams. Williams scores for the double trilogy are amongst the most widely known and popular c ontributions to modern film music. The scores hire a diverse variety of musical styles, many culled from the Late Romantic Period of Richard Strauss.8The Main theme of star wars is easily the most perceptible melody and is often associated with Luke Skywalker, linking with heroism and adventure. It is heard over the beginning of all the films and forms the basis of the end title as well.The Rebel Fanfare is a short Leitmotif used extensively throughout all the episodes to play the rebel alliance. The theme is constructed out of brassy major block chords that progress in parallel motion through intervals of a third. This results in a non-diatonic sound. 8The force theme is a well known object lesson of a Leitmotif. Out of all of the Leitmotifs in the series this theme is most consistently developed and consequently most difficult to attach a specific meaning. This theme can represent Obi-Wan Kenobi, the Jedi and the Force from which they draw their power.Princess Leias theme is h eard form episode III and onwards. It is a Leitmotif that represents a romanticized, somewhat naive idea of the princess and can also show that she is vulnerable.The royal Leitmotif (not the imperial march) represents the Empire and Darth Vader in Episode IV. The Leitmotif is militaristic and is generally played by bassoons or muted trombones. 8The conclusion Star Leitmotif is an imposing four chord played six times during episode IV to represent the Death Star.The Dual of Fates is another(prenominal) Leitmotif played in the first three episodes. It is composed from two minor Ostinatos and choral interjections that are head in The Empire Strikes Back.9The theme is used to represent the clash between the Light and Dark Side. In Episode II, the Leitmotif is played when Anakin goes off to search for his mother, implying an internal agitate between good and evil.Anakins Leitmotif is an innocent theme that contains seeds of the Imperial March. It has a warm melody that contradicts wit h the harmonic instability of a number of different passages. The concert arrangement makes the fate of this Leitmotif more explicit, ending with a number of subtle renditions of phrases from the theme it foreshadows.The Imperial March or Darth Vaders bailiwick represents the Galactic Empire as a whole and Darth Vader specifically. It features relentless soldierlike rhythm and dark, non diatonic harmonic support. The Imperial March represents the Empire and is nearly equilivent to a galactic anthem. It is heard with progressive prominence through Episodes II and III, signalling critical points in Anakins downwards spiral to the Dark side. In the last rendition, accompanying Vaders death Williams reverses the effect of the theme. It ends with a cadence of solos as Vader dies. script Count 1498